The problem that needs to be fixed is not kick all the girls out of YA, it’s teach boys that stories featuring female protagonists or written by female authors also apply to them. Boys fall in love. Boys want to be important. Boys have hopes and fears and dreams and ambitions. What boys also have is a sexist society in which they are belittled for “liking girl stuff.” Male is neutral, female is specific.
I heard someone mention that Sarah Rees Brennan’s THE DEMON’S LEXICON would be great for boys, but they’d never read it with that cover. Friends, then the problem is NOT with the book. It’s with the society that’s raising that boy. It’s with the community who inculcated that boy with the idea that he can’t read a book with an attractive guy on the cover.
Here’s how we solve the OMG SO MANY GIRLS IN YA problem: quit treating women like secondary appendages. Quit treating women’s art like it’s a niche, novelty creation only for girls. Quit teaching boys to fear the feminine, quit insisting that it’s a hardship for men to have to relate to anything that doesn’t specifically cater to them.
Because if I can watch Raiders of the Lost Ark and want to grow up to be an archaeologist, there’s no reason at all that a boy shouldn’t be able to read THE DEMON’S LEXICON with its cover on. My friends, sexism doesn’t just hurt women, and our young men’s abysmal rate of attraction to literacy is the proof of it.
If you want to fix the male literary crisis, here’s your solution:
Become a feminist.
Asked by littlemorningbirds
I hope I can be clear about this, but my thoughts all day have been a bit muddled, so I apologize if I express myself poorly or come off as defensive or anything.
1. There are deeply problematic relationship dynamics glorified in Twilight.
2. Criticizing misogyny in art is good and important.
3. My concern is that popular work by women receives far more vitriolic criticism from the public (like, in terms of number of demeaning jokes made by Jay Leno*) than popular work created by men.
4. So I think we’re talking about two different kinds of criticism: The totally legitimate criticism we see in literary journals and feminist web sites about misogyny, and the demeaning and dismissive this-sucks-because-teen-girls-like-it-and-everyone-knows-that-teen-girls-are-not-fully-human criticism we see in popular culture.
5. Also, I would like to see equal attention given to the sexism in popular work by men, from Nicholas Sparks to for instance J. D. Salinger. Catcher in the Rye—although I like it very much—is profoundly and disturbingly misogynistic and yet seems to get a critical pass both online and off. This happens a lot, I think, with books by men, and I don’t want male writers (including me!) to get that pass.
6. I might be wrong about any/all of this. I’m wrong a lot, and always trying to learn.
*EDIT: Apparently Jay Leno has retired. You learn something new every day.
I love how so many people have been confused and amused by that guy in the Sochi Olympics who was at the top of the slopestyle track during the men’s competition just casually knitting away
and it turned out to be Finland’s snowboarding coach.
yes okay but THE SNOWBOARDER IS HOLDING THE YARN FOR HIM
When [an abusive man] tells me that he became abusive because he lost control of himself, I ask him why he didn’t do something even worse. For example, I might say, “You called her a fucking whore, you grabbed the phone out of her hand and whipped it across the room, and then you gave her a shove and she fell down. There she was at your feet where it would have been easy to kick her in the head. Now, you have just finished telling me that you were ‘totally out of control’ at that time, but you didn’t kick her. What stopped you?” And the client can always give me a reason. Here are some common explanations:
"I wouldn’t want to cause her a serious injury."
“I realized one of the children was watching.”
“I was afraid someone would call the police.”
“I could kill her if I did that.”
“The fight was getting loud, and I was afraid the neighbors would hear.”
And the most frequent response of all:
"Jesus, I wouldn’t do that. I would never do something like that to her.”
The response that I almost never heard — I remember hearing it twice in the fifteen years — was: “I don’t know.”
These ready answers strip the cover off of my clients’ loss of control excuse. While a man is on an abusive rampage, verbally or physically, his mind maintains awareness of a number of questions: “Am I doing something that other people could find out about, so it could make me look bad? Am I doing anything that could get me in legal trouble? Could I get hurt myself? Am I doing anything that I myself consider too cruel, gross, or violent?”
A critical insight seeped into me from working with my first few dozen clients: An abuser almost never does anything that he himself considers morally unacceptable. He may hide what he does because he thinks other people would disagree with it, but he feels justified inside. I can’t remember a client ever having said to me: “There’s no way I can defend what I did. It was just totally wrong.” He invariably has a reason that he considers good enough. In short, an abuser’s core problem is that he has a distorted sense of right and wrong.
I sometimes ask my clients the following question: “How many of you have ever felt angry enough at youer mother to get the urge to call her a bitch?” Typically half or more of the group members raise their hands. Then I ask, “How many of you have ever acted on that urge?” All the hands fly down, and the men cast appalled gazes on me, as if I had just asked whether they sell drugs outside elementary schools. So then I ask, “Well, why haven’t you?” The same answer shoots out from the men each time I do this exercise: “But you can’t treat your mother like that, no matter how angry you are! You just don’t do that!”
The unspoken remainder of this statement, which we can fill in for my clients, is: “But you can treat your wife or girlfriend like that, as long as you have a good enough reason. That’s different.” In other words, the abuser’s problem lies above all in his belief that controlling or abusing his female partner is justifiable….